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06745nam a22004693i 4500 |
| 001 - CONTROL NUMBER |
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EBC5572750 |
| 003 - CONTROL NUMBER IDENTIFIER |
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MiAaPQ |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20240322154128.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
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cr cnu|||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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231228s2018 xx o ||||0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781785339646 |
| Qualifying information |
(electronic bk.) |
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| Cancelled/invalid ISBN |
9781785339639 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(MiAaPQ)EBC5572750 |
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| System control number |
(Au-PeEL)EBL5572750 |
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| System control number |
(OCoLC)1065003824 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
MiAaPQ |
| Language of cataloging |
eng |
| Description conventions |
rda |
| -- |
pn |
| Transcribing agency |
MiAaPQ |
| Modifying agency |
MiAaPQ |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
PN1575.5 .C87 2019 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
708 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Davida, Dena. |
| 245 10 - TITLE STATEMENT |
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| Title |
Curating Live Arts : |
| Remainder of title |
Critical Perspectives, Essays, and Conversations on Theory and Practice. |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
1st ed. |
| 264 #1 - |
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New York, NY : |
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Berghahn Books, Incorporated, |
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2018. |
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�2018. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
1 online resource (416 pages) |
| 336 ## - |
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text |
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txt |
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rdacontent |
| 337 ## - |
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computer |
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c |
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rdamedia |
| 338 ## - |
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online resource |
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cr |
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rdacarrier |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Intro -- Curating Live Arts -- Copyright Page -- Contents -- Illustrations -- Prologue - Bethinking One's Own Strengths: The Performative Potential of Curating -- Acknowledgments -- A Collective Introduction -- A Note on Curatorial Statements - A Third Space: Chasing the Intangible -- Part I - Historical Framings -- Chapter 1 - From Content to Context: The Emergence of the Performance Curator -- Practical Space - Curiosity and Intuition -- Chapter 2 - Exhibiting Performances: Process and Valorization in When Attitudes Become Forms-Bern 1969/Venice 2013 -- Chapter 3 - Can We Curate Dance without Making a Festival? On Dance Curatorship and Its Shifting Borders -- Chapter 4 - Curating Performance from Africa on International Stages: Thoughts on Artistic Categories and Critical Discourse -- Practical Space - Untitled -- Chapter 5 - The Curating Nation: Emergence of Performance Curation in Singapore and Its Impact on Cultural Politics -- Chapter 6 - The Curatorial Chronotope -- Practical Space - Layers -- Chapter 7 - More Weirdness, More Joy: Performance Curation and Pedagogy at Danspace Project and the Institute for Curatorial Practice in Performance -- Part II - Ethical Proposals -- Chapter 8 - Dancing the Museum -- Chapter 9 - Curatorial Discourse and Equity: Tensions in Contemporary Dance Presenting in the United States -- Practical Space - Holy Motor-a Mechanical Metaphor Surrounding the Live Arts Curator -- Chapter 10 - Noticing the Feedback: A Proposal to the Contemporary Dance Field, and/or This Revolution Will Be Crowdsourced -- Chapter 11 - Email to a Curator: An Introduction to The Curators' Piece -- Practical Space - Curating Liveness -- Chapter 12 - Curation as a Form of Artistic Practice: Context as a New Work through UK-based Forest Fringe -- Part III - The Artist-Curators. |
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| Formatted contents note |
Chapter 13 - The Artist-Curator, or the Philosophy of "Do-It-Yourself" -- Embodied Space - "Soft-Curation," Pollination, and Rhizomes -- Chapter 14 - Being in the Vanguard of Sensibility: Artists as Curators in Performing Arts-a Study of Collective Affect -- Chapter 15 - Familias: Artist-Activist Curation in the South Bronx, New York -- Chapter 16 - What We Talk About When We Talk About Curating the "Unexpected" -- Embodied Space - Greater Than -- Chapter 17 - Because I Love Art, I Want Art to Be Different: The Project Perverse Curating and a Few Things I've Learned from It -- Chapter 18 - Making Stage: Contemporary Dance and Performance Curation in the Caribbean -- Embodied Space - As We -- Chapter 19 - The Work of the Musician-Curator in Relation to the "Concert Scenario" -- Chapter 20 - Pseudo-, Anti-, and Total Dance: A Self-Interview on Curation -- Chapter 21 - Collective Creation and Improvised Curation: A Discussion with Body Slam -- Part IV - Exhibition as Events -- Chapter 22 - A New Kind of Critical Elsewhere -- Chapter 23 - Re-enact History? Peforming the Archive! -- Chapter 24 - Choreographing Archives, Curating Choreographers: Yvonne Rainer, Xavier Le Roy, and the Dance Retrospective -- Embodied Space - The Title as the Curator's Art Piece -- Chapter 25 - Exhibiting Dance, Performing Objects: Cultural Mediation in the Museum -- Chapter 26 - The Curator's Work: Stories and Experiences from Tino Sehgal's Events -- Part V - Artivism -- Chapter 27 - Framing a Network, Charting Dis-Courses: Performance Curation, Community Work, and the Logic/Anxieties of an Emerging Field -- Ethical Space - Curate -- Chapter 28 - Food=Need: Constraints, Reflexivity, and Community Performance -- Chapter 29 - ARC.HIVE of Contemporary Arab Performing Arts: Memory, Catastrophe, Resistance, and Oblivion. |
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| Formatted contents note |
Chapter 30 - Collective Walks/Spaces of Contestation: Site-Specificity, Community Involvement, and Mobility Employed as Curatorial Strategies in the Creation of Participatory Performances -- Chapter 31 - Sound Citizen: Curating Sound Art in the Distributed Public Sphere -- Ethical Space - Curation as a Practice of Radical Care: A Definition -- Part VI - Institutional Reinventions -- Chapter 32 - Rethinking the Role of Institutions and Curators in a New Interdisciplinary Age -- Chapter 33 - The Curator as a Culture Producer -- Ethical Space - Definition of Curation -- Chapter 34 - How to Build a Manifesto for the Future of a Festival: "Festivals as Thinking Entities," a Conversation with Judith Blackenberg, Daniel Blanga-Gubbay, Silvia Bottiroli, and Livia Andrea Piazza, initiated by Silvia Bottiroli and Berno Odo Polzer -- Chapter 35 - The Curatorial Gesture as a Decolonial Gesture -- Ethical Space - Proposing Intervals-Curating as Choreography -- Chapter 36 - Are You Not Entertained? Curating Performance within the Institution -- Chapter 37 - Bodies in Museums: Institutional Practices and Politics -- Ethical Space: Curating History, Curating Resistance -- Chapter 38 - What Can Contemporary Art Perform? And Then Transgress? -- Epilogue - Situation Critical: What Comes Next for the Field of Performance Curation? -- Ethical Space - The Parable of the Curator -- Index. |
| 588 ## - |
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Description based on publisher supplied metadata and other sources. |
| 590 ## - LOCAL NOTE (RLIN) |
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| Local note |
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2023. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| 655 #4 - INDEX TERM--GENRE/FORM |
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| Genre/form data or focus term |
Electronic books. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Pronovost, Marc. |
|
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| Personal name |
Hudon, V�eronique. |
|
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| Personal name |
Gabriels, Jane. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY |
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| Display text |
Print version: |
| Main entry heading |
Davida, Dena |
| Title |
Curating Live Arts |
| Place, publisher, and date of publication |
New York, NY : Berghahn Books, Incorporated,c2018 |
| International Standard Book Number |
9781785339639 |
| 797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) |
|---|
| Corporate name or jurisdiction name as entry element |
ProQuest (Firm) |
| 856 40 - ELECTRONIC LOCATION AND ACCESS |
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| Uniform Resource Identifier |
https://ebookcentral.proquest.com/lib/kliuc-ebooks/detail.action?docID=5572750 |
| Public note |
Click to View |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
|
| Koha item type |
E-book |
