Music and the language of love [electronic resource] : seventeenth-century French airs / Catherine Gordon-Seifert.
By: Gordon-Seifert, Catherine Elizabeth.
Contributor(s): ebrary, Inc.
Material type:![materialTypeLabel](/opac-tmpl/lib/famfamfam/BK.png)
Item type | Current location | Collection | Call number | URL | Copy number | Status | Date due | Item holds |
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IUKL Library | Subscripti | http://site.ebrary.com/lib/kliuc/Doc?id=10481734 | 1 | Available |
Includes bibliographical references and index.
Music and texts: an overview of the sources: A general description of the air ; The publications ; The composers ; Publications by Lambert, Bacilly, La Barre, and Le Camus: a description ; The song texts ; Poetic structure ; Style or elocution: figurative language and poetic syntax ; Poetry and rhetoric -- Rhetoric and meaning in the seventeenth-century French air: Seventeenth-century French sources on rhetoric and music ; Persuading the passions -- Musical representations of the primary passions: The primary passions ; The agitated passions ; The modest passions ; The neutral passion: Le contentement ; Summary -- Setting the texts: Painful love ; Bittersweet love ; Enticing love ; Joyous love ; Summary -- Form and style: the organization and function of expressions, syntax, and rhetorical figures: Form (disposition) ; The organization of expressions in short airs ; The organization of expressions in long airs ; Form in single-strophe airs ; The rhetorical sections of a piece: their function and expression ; Style (elocution): poetic structure, punctuation, and rhetorical figures -- L'art du chant: performing French airs: �A haute voix: the importance of orality ; The art of proper singing: tone and style ; Ornamentation ; The pronunciation of seventeenth-century French ; Syllabic quantity ; Tempo ; Le mouvement ; Repeats ; Basso continuo accompaniment -- Salon culture and the mid-seventeenth-century French air: The French air and conversation ; Musical seductions ; Galanterie and the air: undercurrents of eroticism and lessons of morality ; Women singing airs as men -- The late-seventeenth-century air and the rhetoric of distraction ; The air after 1670 ; Songs and the rhetoric of distraction ; Pleasure, airs, and the new rhetoric ; The legacy of Lambert, Bacilly, Le Camus, and La Barre.
Electronic reproduction. Palo Alto, Calif. : ebrary, 2013. Available via World Wide Web. Access may be limited to ebrary affiliated libraries.
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