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The left side of the screen [electronic resource] : Communist and left-wing ideology in Hollywood, 1929-2009 / Bob Herzberg.

By: Herzberg, Bob, 1956-.
Contributor(s): ebrary, Inc.
Material type: materialTypeLabelBookPublisher: Jefferson, N.C. : McFarland & Co., 2011Description: ix, 294 p. : ill.Subject(s): Motion picture industry -- Political aspects -- California -- Los Angeles -- History -- 20th century | Screenwriters -- Political activity -- United States -- History -- 20th century | Motion picture producers and directors -- Political activity -- United States -- History -- 20th century | Motion picture actors and actresses -- Political activity -- United States -- History -- 20th century | Communism and motion pictures -- United StatesGenre/Form: Electronic books.DDC classification: 791.4309794/94 Online resources: An electronic book accessible through the World Wide Web; click to view
Contents:
In the red (1929-1936) -- Old left hook (1937-1941) -- Bodyguard of lies (1942-1945) -- Revolution from above (1946-1951) -- Breaking eggs (1952-1958) -- Containment (1959-2009).
Summary: "An examination of the careers of communist and liberal actors, screenwriters, playwrights, and directors in Hollywood from the late 1920s to the present, this book uses studio and PCA correspondence, FBI files, film and theater reviews, and other sources to reveal how these artists were concerned with and active in the cinema of social protest"--Provided by publisher.
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Item type Current location Collection Call number URL Copy number Status Date due Item holds
E-book E-book IUKL Library
Subscripti http://site.ebrary.com/lib/kliuc/Doc?id=10453111 1 Available
Total holds: 0

Includes bibliographical references and index.

In the red (1929-1936) -- Old left hook (1937-1941) -- Bodyguard of lies (1942-1945) -- Revolution from above (1946-1951) -- Breaking eggs (1952-1958) -- Containment (1959-2009).

"An examination of the careers of communist and liberal actors, screenwriters, playwrights, and directors in Hollywood from the late 1920s to the present, this book uses studio and PCA correspondence, FBI files, film and theater reviews, and other sources to reveal how these artists were concerned with and active in the cinema of social protest"--Provided by publisher.

Electronic reproduction. Palo Alto, Calif. : ebrary, 2011. Available via World Wide Web. Access may be limited to ebrary affiliated libraries.

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