000 | 04877nam a2200529 i 4500 | ||
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001 | EBC946273 | ||
003 | MiAaPQ | ||
007 | cr cnu|||||||| | ||
008 | 130712t20122012enka ob 001 0 eng|d | ||
020 | _z9780231163354 (cloth : alk. paper) | ||
020 | _z0231163355 (cloth : alk. paper) | ||
020 | _z9780231163354 (pbk. : alk. paper) | ||
020 | _z0231163355 (pbk. : alk. paper) | ||
020 | _a9780231850247 (e-book) | ||
035 | _a(MiAaPQ)EBC946273 | ||
035 | _a(Au-PeEL)EBL946273 | ||
035 | _a(CaPaEBR)ebr10820247 | ||
035 | _a(CaONFJC)MIL562748 | ||
035 | _a(OCoLC)862937918 | ||
040 |
_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ |
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050 | 4 |
_aPN1995.9.D6 _bK474 2012 |
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082 | 0 |
_a791.43/6581 _223 |
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245 | 0 | 0 |
_aKiller images : _bdocumentary film, memory and the performance of violence / _cedited by Joram Ten Brink & Joshua Oppenheimer. |
264 | 1 |
_aLondon : _bWallflower Press, _c[2012] |
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264 | 4 | _c�2012 | |
300 |
_a1 online resource (343 pages) : _billustrations. |
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336 |
_atext _2rdacontent |
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337 |
_acomputer _2rdamedia |
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338 |
_aonline resource _2rdacarrier |
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440 | 0 | _aNonfictions | |
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_tAcknowledgments -- _tNotes on contributors -- _tIntroduction / _rJoram ten Brink & Joshua Oppenheimer -- _t(De)activating empathy -- _tPublicity and indifference : media, surveillance and 'humanitarian intervention' / _rThomas Keenan -- _tShooting with intent : framing conflict / _rAlisa Lebow -- _tImmersion (2009) / _rHarun Farocki -- _tAnaesthetising the image : Immersion, Harun Farcocki [sic] / _rKodwo Eshun -- _tRevisiting Rocha's 'Aesthetics of Violence' / _rMichael Chanan -- _tMemory of violence : visualising trauma -- _t�Ca va de soi : the visual representation of violence in the Holocaust documentary / _rBrian Winston -- _tScreen memory in Waltz with Bashir / _rGarrett Stewart -- _tAnimating trauma : Waltz with Bashir, David Polonsky / _rJoram ten Brink -- _tSpaces of violence : history, horror and the cinema of Kiyoshi Kurosawa / _rAdam Lowenstein -- _tOn historical violence and aesthetic form : Jean-Luc Godard's Allemagne 90 Neuf Zero / _rDaniel Morgan -- _tBattle for history : appropriating the past in the present -- _tSubverting dominant historical narratives : Avenge but one of my two eyes, Avi Mograbi / _rJoram ten Brink -- _tRe-enactment, the history of violence and documentary film / _rJoran ten Brink -- _tInterpreting Jeremy Deller's The Battle of Orgreave / _rAlice Correia -- _tRemediating genocidal images into artworks : the case of the Tuol Sleng mug shots / _rStephanie Benzaquen -- _tScreening the 1965 violence / _rAriel Heryanto -- _tPerforming violence -- _tPerpetrator's testimony and the restoration of humanity : S21, Rithy Panh / _rJoshua Oppenheimer -- _tThe killer's search for absolution : Z32, Avi Mograbi / _rJoram ten Brink -- _tImpunity / _rBenedict Anderson -- _tShow of force : a cinema-seance of power and violence in Sumatra's plantation belt / _rJoshua Oppenheimer & Michael Uwemedimo -- _tMisunderstanding images : standard operating procedure, Errol Morris / _rJoshua Oppenheimer. |
520 | 8 | _aCinema has long shaped not only how mass violence is perceived but also how it is performed. Today, when media coverage is central to the execution of terror campaigns and news anchormen serve as embedded journalists, a critical understanding of how the moving image is implicated in the imaginations and actions of perpetrators and survivors of violence is all the more urgent. If the cinematic image and mass violence are among the defining features of modernity, the former is significantly implicated in the latter, and the nature of this implication is the book's central focus. This edited anthology brings together a range of newly commissioned essays and interviews from the world's leading academics and documentary filmmakers, including Ben Anderson, Errol Morris, Harun Farocki, Rithy Phan, Avi Mograbi, Brian Winston, and Michael Chanan. | |
588 | _aDescription based on print version record. | ||
590 | _aElectronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. | ||
650 | 0 |
_aDocumentary films _xHistory and criticism. |
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650 | 0 | _aViolence in motion pictures. | |
650 | 0 | _aViolence in mass media. | |
655 | 4 | _aElectronic books. | |
700 | 1 | _aTen Brink, Joram. | |
700 | 1 |
_aOppenheimer, Joshua, _d1974- |
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776 | 0 | 8 |
_iPrint version: _tKiller images : documentary film, memory and the performance of violence. _dLondon : Wallflower Press, [2012] _hxi, 330 pages ; 23 cm. _kNonfictions _z9780231163354 _w(OCoLC)ocn794366433 _w(DLC)17809739 |
797 | 2 | _aProQuest (Firm) | |
856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/kliuc-ebooks/detail.action?docID=946273 _zClick to View |
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_2lcc _cEBK |
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_c270935 _d270935 |