000 | 02750nam a2200397 a 4500 | ||
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001 | EBC1104807 | ||
003 | MiAaPQ | ||
007 | cr cn||||||||| | ||
008 | 120711s2013 nyua sb 001 0 eng d | ||
010 | _z 2012027747 | ||
020 | _z9780415531511 (hardback) | ||
020 | _z9780203072462 (e-book) | ||
035 | _a(MiAaPQ)EBC1104807 | ||
035 | _a(Au-PeEL)EBL1104807 | ||
035 | _a(CaPaEBR)ebr10641642 | ||
035 | _a(CaONFJC)MIL423255 | ||
035 | _a(OCoLC)824147583 | ||
040 |
_aMiAaPQ _cMiAaPQ _dMiAaPQ |
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050 | 4 |
_aN7480 _b.V48 2013 |
|
082 | 0 | 4 |
_a707.2/2 _223 |
100 | 1 | _aVerstegen, Ian. | |
245 | 1 | 2 |
_aA realist theory of art history _h[electronic resource] / _cIan Verstegen. |
260 |
_aNew York : _bRoutledge, _c2013. |
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300 |
_axix, 168 p. : _bill. |
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440 | 0 | _aOntological explorations | |
504 | _aIncludes bibliographical references and index. | ||
520 |
_a"As the theoretical alignments within academia shift, this book introduces a surprising variety of realism to abolish the old positivist-theory dichotomy that has haunted Art History. Demanding frankly the referential detachment of the objects under study, the book proposes a stratified, multi-causal account of art history that addresses postmodern concerns while saving it from its errors of self-refutation. Building from the very basic distinction between intransitive being and transitive knowing, objects can be affirmed as real while our knowledge of them is held to be fallible. Several focused chapters address basic problems while introducing philosophical reflection into art history. These include basic ontological distinctions - society and culture, general and 'special' history, the discontinuity of cultural objects, the importance of definition for special history, scales, facets and fiat objects as forms of historical structure, the nature of evidence and proof, historical truth and controversies. Stressing critical realism as the stratified, multi-causal approach needed for productive research today in the academy, this book creates the subject of the ontology of art history and sets aside a theoretical space for metaphysical reflection, thus clarifying the usually muddy distinction between theory, methodology and historiography in art history"-- _cProvided by publisher. |
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533 | _aElectronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. | ||
650 | 0 |
_aArt _xHistoriography. |
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650 | 0 |
_aArt _xPhilosophy. |
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655 | 4 | _aElectronic books. | |
710 | 2 | _aProQuest (Firm) | |
856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/kliuc-ebooks/detail.action?docID=1104807 _zClick to View |
942 |
_2lcc _cEBK |
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999 |
_c298292 _d298292 |